Angelina Jolie Admits Attending Illuminati Sacrifice in Leaked Video
A stunning video has surfaced in which a 23-year-old Angelina Jolie reveals the true inner workings of Hollywood as she describes her experiences participating in “secret illuminati rituals” to close friends.
Roseanne Barr is an outspoken actress and comedienne who never shied away from tackling difficult and controversial issues, even if that meant being unpopular or being tagged as “crazy” by mass media. While I can’t say that I agree with all of her views, she remains one of the very few people in Hollywood who dare talking about its most damning issue: MK ULTRA.
In a recent interview with The Independent, Nicole Sherzinger – the former lead singer of the Pussycat Dolls – discussed the music industry and what is truly needed to make it. According to her, female pop stars who receive “industry love” must obey orders, forget about their values and accept to be slutty. In short, they must be willing participants of the elite’s Agenda.
A Henrico County judge Thursday scheduled a two-day trial in June for an aspiring rap star who, according to a prosecutor, apparently believed that he had to sacrifice his friend to reach stardom.
A look at the hidden force controlling Hollywood and the Music Industry.
Things are not what they seem…
Controversial, sometimes even secretive imagery will always have an appeal but that doesn’t necessarily mean all the world’s evils are orchestrated by a secret society.
Before rappers had multimillion-dollar endorsement deals with shoe manufacturers and makeup companies, it was commonplace to see even the most mainstream emcees speak out on controversial issues. In the wake of Hip Hop’s commercial boom from the late 90’s through the early aughts, and the subsequent commercial drought we’re witnessing now, most mainstream emcees on major labels sidestep anything remotely controversial.
by VC
Why do music videos these days often feature police in riot gear and violent repression? Is there an attempt to normalize the concept of a police state in mass media? Two recent and blatant example of this agenda is Jay-Z and Kanye’s video “No Church in the Wild” and Adam Lambert’s “Never Close Our Eyes”. Even though these songs are different in style, their underlying message is similar and is on par with the police state agenda of the world elite. This article will look at the meaning and implications of these videos.
Several newspapers have reported that Lauryn Hill was in trouble with the government for not filing taxes from 2005-2007. While I do not know (nor care) about her financial status and her tax paying habits, I found Hill’s response to the charges quite compelling. In a first public statement in years, Hill describes the control, manipulation and exploitation of the music industry and her efforts to get away from it all. Here’s the letter published on her new Tumblr account.
It was reported yesterday that Ms. Lauryn Hill has been charged with three counts of misdemeanor failure to file taxes. These charges were incurred for the years of 2005-2007, during a time in which Ms. Hill had removed herself and her family from society, in order to keep them safe, healthy, and free from danger. In response to these charges, Ms. Hill has issued the following statement:
by VigilantCitizen
Lady Gaga’s “Judas” video is a modern retelling of biblical stories, where Jesus and his disciples are portrayed as a biker gang. But don’t mistake the video for a Bible lesson as it twists and turns important scenes to give them a very different meaning. In fact, it can be argued that the video symbolically describes an important aspect of Gaga’s work and of society in general: a rejection of Christianity in order to make way to what has been called the Age of Horus. This article will look at the origins and the symbols found in Lady Gaga’s “Judas”.
When I first watched Judas, I immediately told myself: “There is no use to write about this, it is simply too obvious”. I mean Gaga is in love with Judas … and Judas betrayed Jesus. It is a direct continuation of Gaga’s anti-Christian and pro-Illuminati theme through symbols, as described in previous articles. What can I add to it that hasn’t been said? So I ignored the video … until I began receiving e-mails. Tons of them. Many people did not understand the message of the video, some did not get the Biblical references and the way they were twisted to communicate a new message; other simply did not know who Judas was. As it is symbolic on many levels, I realized that decoding this video could help many readers — who I call my “Little Vigis” (No.). The video doesn’t only summarize the underlying spiritual message found in Gaga’s work, but it describes an important phenomenon happening in society in general – a phenomenon that is part of the Illuminati agenda: the “de-holyfication” of traditional religions.
In her recent interviews, Gaga has given several interpretations of the song. In an interview with E! Online she said that it was not meant as an attack of Christianity:
“I don’t view the video as a religious statement, I view it as social statement. I view it as a cultural statement.”
On Amp Radio Gaga explained that:
“It’s about falling in love with the wrong man over and over again.”
“The song is about honoring your darkness in order to bring yourself into the light. You have to look into what’s haunting you and need to learn to forgive yourself in order to move on.”
The videos for Gaga’s songs Alejandro (analyzed here) and Born This Way (analyzed here) communicated specific spiritual messages through meanings and symbols. Traditional religious symbols are stripped of their “holy aura” while other symbols, inspired by those of the Illuminati, are introduced and glorified to her young viewers. Of course, this phenomenon does not happen only in Gaga’s works, but is a trend in mass media in general. Aleister Crowley, an occultist who remains an incredibly influential figure in the entertainment industry, claimed the Age of Horus, a new stage in human history, would be defined by the abandonment of traditional religions in order to embrace a new kind of spirituality (read the full article on Crowley here). The same vision for a “new Aeon” is shared by the world elite, where its plans for a New World Order heavily rely on the existence of a single world religion, based on a specific set of values that are compatible with is Agenda. Mass media plays an important role in this paradigm shift – and the results are astonishing. In less than a century, the Western World has witnessed a drastic decline in religious faith, especially Christian. Never such a profound societal change happened in such a short period of time. Of course, Gaga herself is not responsible for this drastic shift, but Judas, in its meaning and symbolism, perfectly describes the transitional period we are going through, as society is taken to, in Crowley’s words, the Age of Horus.
It is therefore in this social and religious context that Judas was released. First seen riding with Jesus, Gaga goes into a transition and falls for Judas, the man who ultimately caused the death of Jesus. Gaga’s conversion is symbolic of society in general, where the altruistic tenets of Christianity have been replaced by a more “self-celebrating” philosophy – embodied in the video by the character of Judas. In short, the story symbolizes the passage towards Crowley’s Age of Horus, and Gaga’s “Eye of Horus” makeup effectively seems to emphasize this point. As seen in previous articles, Gaga is no stranger to Crowley’ philosophy (her Manifesto at the beginning of Born This Way is heavily inspired by his Thelema). This philosophy is, in turn, the basis of the new kind of spirituality that is sold to the masses through media.
To explain Judas, I need to “get Biblical” because the song and the video are heavily inspired by Biblical verses. So, before we get into it, let’s start by understanding the main character: Judas.
Judas Iscariot was one of Jesus’ twelve disciples. Due to his money-management skills, he was put in charge of the group’s money box. Despite having chosen him to become his follower, Jesus knew from the start that Judas would eventually betray him. At one point he even refers to him as “the devil”.
70 Jesus replied, “Didn’t I choose you, the twelve, and yet one of you is the devil?” 71 (Now he said this about Judas son of Simon Iscariot, for Judas, one of the twelve, was going to betray him.)
– John 6:70-71
During his time as a disciple, Judas had some “issues” with Jesus, causing him to stir up trouble within the group. An important event involving Judas happened during the washing of Jesus’ feet by Mary Magdalene using expensive ointments. Offended by what he called a waste of money, Judas protested and even caused other disciples complain. This is one of the Biblical passages that was recreated (with a significant twist) in Gaga’s video:
12:1 Then, six days before the Passover, Jesus came to Bethany, where Lazarus lived, whom he had raised from the dead. 2 So they prepared a dinner for Jesus there. Martha was serving, and Lazarus was among those present at the table with him. 3 Then Mary took three quarters of a pound of expensive aromatic oil from pure nard and anointed the feet of Jesus. She then wiped his feet dry with her hair. (Now the house was filled with the fragrance of the perfumed oil.) 4 But Judas Iscariot, one of his disciples (the one who was going to betray him) said, 5 “Why wasn’t this oil sold for three hundred silver coins and the money given to the poor?” 6 (Now Judas said this not because he was concerned about the poor, but because he was a thief. As keeper of the money box, he used to steal what was put into it.) 7 So Jesus said, “Leave her alone. She has kept it for the day of my burial. 8 For you will always have the poor with you, but you will not always have me!”
– John 12:1-8
Shortly after this incident, Judas meets with the chief priests of Israel – the ones who were trying to “bring down” Jesus – and strikes a deal. He would betray and hand over Jesus to the Pharisees and the police force in exchange for thirty silver coins:
26:14 Then one of the twelve, the one named Judas Iscariot, went to the chief priests 15 and said, “What will you give me to betray him into your hands?” So they set out thirty silver coins for him.
– Matthew 26:14-15
During the Last Supper, Jesus tells his disciples that one of them would betray him and reveals it would be Judas:
13:21 When he had said these things, Jesus was greatly distressed in spirit, and testified, “I tell you the solemn truth, one of you will betray me.” 22 The disciples began to look at one another, worried and perplexed to know which of them he was talking about. 23 One of his disciples, the one Jesus loved, was at the table to the right of Jesus in a place of honor. 24 So Simon Peter gestured to this disciple to ask Jesus who it was he was referring to. 25 Then the disciple whom Jesus loved leaned back against Jesus’ chest and asked him, “Lord, who is it?” 26 Jesus replied, “It is the one to whom I will give this piece of bread after I have dipped it in the dish.” Then he dipped the piece of bread in the dish and gave it to Judas Iscariot, Simon’s son.
– John 13:21-26
At this moment, it is said that Satan possessed Judas:
13:27 And after Judas took the piece of bread, Satan entered into him. Jesus said to him, “What you are about to do, do quickly.”
– John 13:27
Judas then leads the chief priests and the police to Jesus, identifying him with a kiss:
14:43 Right away, while Jesus was still speaking, Judas, one of the twelve, arrived. With him came a crowd armed with swords and clubs, sent by the chief priests and experts in the law and elders. 44 (Now the betrayer had given them a sign, saying, “The one I kiss is the man. Arrest him and lead him away under guard.”) 45 When Judas arrived, he went up to Jesus immediately and said, “Rabbi!” and kissed him. 46 Then they took hold of him and arrested him.
– Mark 14:43-46
After Jesus’ condemnation, Judas regretted his betrayal and sought to reverse his actions by returning the money, but it was too late and he commits suicide:
27:3 Now when Judas, who had betrayed him, saw that Jesus had been condemned, he regretted what he had done and returned the thirty silver coins to the chief priests and the elders, 4 saying, “I have sinned by betraying innocent blood!” But they said, “What is that to us? You take care of it yourself!” 5 So Judas threw the silver coins into the temple and left. Then he went out and hanged himself.
– Matthew 27:3-5
Most of the passages described above are recreated in the video, but they are given a twist, where roles and symbols are reversed, effectively changing the fundamental meaning of the Biblical stories. As a result, the video ends with a very different “moral of the story”.
The video portrays Jesus and his disciples as a biker gang riding around with skull-and-bone insignias on their backs (nice touch). Gaga is riding with Jesus, playing the role of Mary Magdalene.
Although it is not clearly specified in the Bible, Mary Magdalene is said to be the prostitute who was about to get stoned to death by an angry mob until Jesus came along and said: “Y’all country-ass, donkey-riding peasants better drop them rocks and go on home before things get REAL ugly up in here”. Wait, that’s what Samuel L. Jackson would have said. Jesus actually said: “Let he who is without sin cast the first stone”.
At the very end of Judas, Gaga is seen stoned to death, insinuating that Jesus was not there to save her.
So Gaga plays the role of Mary Magdalene where Magdalene is not only the friend and disciple of Jesus, but his lover. This portrayal of Mary Magdalene as Jesus’ mate became popular in the past few decades with books such as The Jesus Scroll (1972), Holy Blood, Holy Grail (1982), The Gospel According to Jesus Christ (1991), The Da Vinci Code (2003), The Two Marys: The Hidden History of the Mother and Wife of Jesus (2007); and by films like Bloodline (2008). These alternative accounts on Jesus Christ’s life originate from modern interpretations of Gnostic and apocryphal texts (mainly the Nag Hammadi) where Magdalene is described as Jesus’ “favorite disciple” and “companion”. An interpretation of the apocryphal Gospel of Philip even alludes to Jesus “often kissing Mary Magdalene on the lips”.
Some occult circles believe that Jesus lived well beyond the age of 33 (a number they believed was selected for symbolic reasons). Some claim that Jesus married Mary Magdalene with whom he had a daughter named Sarah. Some even claimed that they moved to Southern France, where they started the fabled Merovingian Bloodline.
Judas therefore portrays Mary Magdalene from this angle, where Gaga is the wife of Jesus. However, she only has eyes for Judas.
The video begins with Gaga riding with Jesus, yelling in his ear “Judas Juda-ah-as”, almost as if it was an incantation. Usually, when your girl yells the name of some other dude right in your ear, it means something’s up.
From a spiritual point of view, Gaga was “riding with Jesus” – representing the embrace of Christianity – until she fell in love with Judas – a force that is opposed to it. But what kind of force are we referring to? Is it the elite’s peculiar brand of occultism, mainly represented by the symbol of the Eye of Horus?
In the video, Jesus is shown doing good deeds and healing people while Judas is pretty much a douche bag, getting drunk and grabbing women all over the place. Yet Gaga is in love with him. The character of Judas is an embodiment of Crowley’s saying “Do What Thou Wilt” – or Lavey’s Church of Satan concept of hyper-egoism, where the fulfillment of one’s desires is seen as a basic requirement to true enlightenment. Gaga is seduced by and identifies with the values embodied by Judas’ and is therefore in love with him. By doing so, she turns her back on Jesus’ altruism and selflessness.
One scene recreates Mary Magdalene’s washing of Jesus feet which, as seen above, made Judas angry and jealous. In the video’s version of the story, Judas is however right there with Jesus, his naked feet next to his, apparently also ready to get this treatment reserved for great people. Judas is therefore not simply a disciple of Jesus, but his equal. Afterwards, Judas, being the self-centered jerk that he is, spills his beer on Gaga … but Gaga loves him that way. The first lyrics of the song describe this reversal from the Biblical story, where Judas is the one getting washed by Gaga.
When he calls to me, I am ready
I’ll wash his feet with my hair if he needs
Forgive him when his tongue lies through his brain
Even after three times, he betrays me
Later in the video, there appears to be some kind of showdown between Jesus and Judas. Gaga – who is still Jesus’ lover – goes to Judas holding a golden gun, apparently to kill the one who would betray her spouse. Instead of a bullet, the gun “shoots out” lipstick. Gaga puts it on Judas’ mouth as if saying “go ahead and kiss Jesus, you have my blessing”.
The song also describes Gaga’s participation in “bringing Jesus down”:
I’ll bring him down, bring him down, down
A king with no crown, king with no crown
The “king with no crown” is more than likely Jesus, who is wearing during the entire video the Crown of Thorns. In Biblical accounts, that painful crown was put on his head by soldiers before his crucifixion in order to humiliate the one who claimed to be the “King of the Jews”.
Right after Gaga’s “official” taking sides with Judas, she is shown in a symbolic “cleansing” or “baptizing” scene.
So, despite Jesus’ virtuous deeds, Gaga is attracted to Judas. The Betrayer is portrayed as a rowdy, egoistical and devious being, which is not surprising since it is stated that Judas was possessed by Satan at the time he betrayed Jesus. Judas personifies the antithesis of Jesus’ selfless ways and represents the self-centered philosophy described by modern occultists such as Aleister Crowley whose philosophical tenets, describes the self as “the center of the universe”. Anton Lavey’s Satanic Bible describes the need for a “new religion” based on man’s earthly needs.
Past religions have always represented the spiritual nature of man, with little or no concern for his carnal or mundane needs. They have considered this life but transitory, and the flesh merely a shell; physical pleasure trivial, and pain a worthwhile preparation for the “Kingdom of God”. How well the utter hypocrisy comes forth when the “righteous” make a change in their religion to keep up with man’s natural change! The only way that Christianity can ever completely serve the needs of man is to become as Satanism is NOW.
It has become necessary for a NEW religion, based on man’s natural instincts, to come forth. THEY have named it. It is called Satanism.
– Anton Lavey, The Satanic Bible
Gaga, playing Mary Magdalene, is attracted to Judas’ ways. She not only “converts” to his side but also effectively brings Jesus down. This attraction to the “dark side” is summed up in these simple words:
I wanna love you,
But something’s pulling me away from you
Jesus is my virtue,
Judas is the demon I cling to
Other apparently meaningless symbols in Judas help decoding the full meaning of the video.
Going beyond simple shots at Christianity for pure shock value, Judas summarizes the underlying spiritual messages found in Lady Gaga’s works which are, in turn, a reflection of the elite’s philosophy that needs to be taught to the masses. Whether it is intentional or not, Judas symbolizes the spiritual shift of humanity as it enters what is “the Age of Horus”. Crowley considered the last two thousand years to be the Age of Osiris, ruled by Christianity’s “emphasis on death, suffering, sorrow and the denial of the body”. He however considered this era to be necessary to give birth to the Age of Horus, whose Aeon would lead humanity to a new kind of spirituality. Other esoteric schools describe this shift in different words. Some describe it as the Age of Aquarius taking the place of the Age of Pisces, which was dominated by Christianity (they say Jesus was associated with the symbol of the fish because he ruled the Age of Pisces). Is this the reason Gaga’s words refer to the “future of culture”?
In the most Biblical sense,
I am beyond repentance
Fame, hooker, prostitute wench vomits her mind
But in the cultural sense
I just speak in future tense
Whether the general population subscribes to these esoteric predictions or not, it certainly is “following the script” that was laid out. The same way Lady Gaga was eyeing Judas while riding with Jesus, society as a whole has let go of the core tenets of Christianity to embrace a philosophy that is compatible with Crowley’s Thelema. Even if most people do not even know what is the Thelema, they live by it on a daily basis. That being said, organized religions and the elite are not necessarily opposite forces. Religions and religious sects have often been used as tools of the political elite to divide-and-conquer countries and to oppress and to manipulate the masses. Times have however changed and, today, the Illuminati is looking to unite the world under a single world government and a single world religion. This religion’s values are based on egoism, materialism and the sexualization of pretty much everything. Most music videos, movies and TV shows subtly celebrate these values. In other words, they want you to be in love with Judas.
Source: http://vigilantcitizen.com/musicbusiness/lady-gagas-judas-and-the-age-of-horus/
by VC
Lady Gaga’s single “Born This Way” introduces the viewers to the birth of a “new race” and to a new world, using intricate imagery and a precise narrative. It is a psychedelic trip filled with occult and archetypal symbols, telling the story of a cosmic birth and new ideals. However, behind its outward message of acceptance, a more sinister message lies embedded in the symbolism of the video. We will look at the underlying meaning of “Born This Way” and analyze the meaning of the occult symbolism in the video.
Lady Gaga is back, y’all. And she’s got horns on her forehead. And she’s in space. And she’s making 90′s dance music. And my head just exploded. But seriously, Born this Way seems to provoke in people two opposite reactions, depending on their knowledge of occult symbolism. It is either “What the heck just happened here?” or “This is really blatant”. The reason is simple. The video contains new strange elements that might confuse viewers but it also contains symbolism that is extremely ancient. Although the video is set in a futuristic, intergalactic world, it deals with the most primal concept of humanity: motherhood. It plays on human’s archetypal fascination and/or repulsion towards the act of giving birth.
Although the lyrics of Born This Way are about unconditional acceptance, with a special focus on homosexuality, the video’s scope goes way beyond the subject of sexual orientation. It narrates the birth of a new race within humanity. Laurieann Gibson, the creative director of the video describes this concept:
“At first, when I thought about birthing a new race and adding the prosthetics, I thought that maybe they should have a certain way they should walk or maybe they move a certain way, but then I realized it is actually a race within our race; it’s a mindset.”
– Source
Gaga is not giving birth to a human but to a “new race” within humanity. The symbolism of the video makes it clear that this birth is not natural, but artificially provoked. A twisted immaculate conception. As is the case for most Lady Gaga videos, the theme of mind control is important in the video. It is the process through which the metamorphosis will take place. In Monarch programming terms, we are witnessing the birth of a new persona within the “core personality” of humanity. The birth is happening within the minds of people and is visually represented by creepy facial horns.
(If you have not read previous articles on this site, mind control programming is the process through which a handler causes within a subject the “birth” of a new persona that can be programmed at will, through trauma and abuse. It is an actual process used by the CIA – MK-Ultra – and symbolism pertaining to this practice is widely present in popular culture. In the context of the video, the programming does not happen on a single person, but on a mass scale – a new race).
Furthermore, the esoteric imagery in the video describes a world change that is occurring as an alchemical process: The creation of magic through the unification of opposing forces portrayed through the use of archetypal symbols and messages. Yup, we’re still talking about a Lady Gaga video.
Although Born This Way is considered new and innovative, it is a perfect continuation of the themes exploited by previous Lady Gaga videos. Nick Knight, the director of the video, brings a different look and feel to Gaga’s message, but it remains very “elite friendly”. The fashion photographer is known for his visually dazzling photos and has worked with Alexander McQueen, Calvin Klein, Christian Dior, Kylie Minogue, Gwen Stefani and many others. His past work has also contained allusions to Monarch mind control.
Knight’s distinctive style in Born This Way was inspired by surrealist painters such as Salvador Dali and Francis Bacon. Let’s look at the video’s symbolism.
The video begins with the superposition of two evocative symbols:
Pink triangles pointing downwards were used in Nazi concentration camps to denote homosexual men. The same pink triangle pointing upwards has become a symbol of gay pride and gay rights. On an esoteric level, triangles pointing down are archetypal symbols representing the sacred feminine (in opposition to the upwards pointing triangle representing the phallic masculine). The inverted triangle is emblematic of the womb, the vessel and the uterus. It is the passive principle awaiting the active principle.
Inside the triangle is a unicorn, an ancient mythological creature emblematic of purity, spiritual enlightenment and fierceness – the horn is often viewed as symbolic of the union of with God. In esoteric terms it refers to the third eye or the pineal gland.
In Christian symbolism, the Unicorn is a symbol of Christ. It is also often associated with the Virgin Mary.
“Symbolically, the unicorn is a representation of Jesus, the horn represents the unity of Jesus and God, its fierceness and defiance were said to be a reminder that nothing can control Jesus against his will, and the small size of the animal represented Jesus’ humility.”
– Heather Changeri, The Virgin and the Unicorn
The link between the unicorn and the concept of virginity was popularized by a medieval myth describing how to hunt the creature. In order to catch a unicorn, a virgin is put in the field; the animal then comes to her and is caught, because it lies down in her lap.
This unicorn is inside a womb symbolically represented by the inverted triangle and therefore symbolically awaiting birth. The concept of purity associated with unicorn implies an “immaculate conception” as no sexual relation was needed to provoke this cosmic pregnancy (yes, I just said “cosmic pregnancy”). Gaga herself referred to this song in similar terms.
“I wrote [‘Born This Way’] in 10 f—ing minutes. And it is a completely magical message song. And after I wrote it, the gates just opened, and the songs kept coming. It was like an immaculate conception.”
– Lady Gaga, Our Lady of Pop, Vogue Magazine
According to Carl Jung, whether we look at the religious or occult meaning of the unicorn, it ends up portraying the same concept: the union of seemingly opposite forces (i.e. purity and strength).
“The unicorn’s most vital function has been as a symbol, whether of power or virility, or purity, or the combination of opposites, of the male horn and the female body. Many modern interpreters regard this last role as the crucial one and relate it to the symbolism of the soul as the spark of divine light in the darkness of matter and evil, the body, and to the concept of the hermaphrodite as the perfect union of opposites.”
– Carl Jung, Man, Myth and Magic
That’s a lot of text to explain a single frame of the video. It is, however, an important frame because it sums up the entire concept of the video in a single image: the birth of a spiritual/galactic/metaphorical entity from an immaculate conception.
But what exactly is being born?In her narrative, Gaga says it is a new race, but the video, and the video’s director, suggests that it is a race born within the existing race, from people’s own minds. In the video, a symbolic image replaces the unicorn.
Gaga has two faces, not unlike Janus, the god of gateways and beginnings. In mind-control terms, the mask implies the existence of a programmed alter-personality. Porcelain masks are used in the actual (and horrific) Monarch programming process on slaves and handlers (in the video, Gaga seems to embody both roles).
“Fire torture and melted wax is used to make the child victim believe their face has been burned. Then the programmer generously gives the traumatized alters a porcelain mask. The alter getting the Porcelain face may be given a “gem” hypnotically like Jade and that becomes their secret name. There are several different methods that are available to lay in the porcelain face programming. There has been a great deal of porcelain casts made of people’s faces and then masks made of them. In fact, when a handler dies, at least in one case the replacement handler wore a mask to look like the previous handler.”
– Fritz Springmeier, The Illuminati Formula Used to Create an Undetectable Total Mind Controlled Slave
The mask inside the triangle implies the birth of a synthetic being, a human construct: a pre-established mindset for humanity. After this, Gaga begins her “Manifesto of Mother Monster”, describing the mindset.
Gaga announces the birth of a new race in a speech with heavy occult undertones that contains references to ancient hermetic principles.
“This is the manifesto of Mother Monster: On G.O.A.T., a Government -Owned Alien Territory in space, a birth of magnificent and magical proportions took place.”
The magical birth took place on a “Government-Owned Alien Territory” – which is alluding to the fact that the birth is taking place under the supervision and approval of the powers that be: the elite, the Illuminati. It is also a great way to form the acronym G.O.A.T. and a great way to bring up Baphomet.
Gaga, playing the role of the Virgin about to give birth is symbolically shown inside the goat head, which emphasizes the occult and ritualistic nature of the birth taking place. Baphomet, represented by a goat’s head, is symbolic of magic created by the union of opposite forces, hence its androgyny (see the erect phallic symbol and the female breasts).
Baphomet is of great importance in Aleister Crowley’s Thelema – a modern occult philosophy that seems to be a source of inspiration for Gaga’s Manifesto. According to Crowley, Baphomet is a representative of the spiritual nature of the spermatozoa, while also being symbolic of the “magical child” produced as a result of sex magic. As such, Baphomet represents the Union of Opposites, especially as mystically personified in Chaos and Babalon, combined and biologically manifested with the sperm and egg united in the zygote.
“He is ‘The Devil’ of the Book of Thoth, and His emblem is Baphomet the Androgyne who is the hieroglyph of arcane perfection … He is therefore Life, and Love. But moreover his letter is ayin, the Eye, so that he is Light; and his Zodiacal image is Capricornus, that leaping goat whose attribute is Liberty.”
– Aleister Crowley, Magick Book 4
Concepts similar to those expressed by Crowley are incorporated to the Manifesto:
“But the birth was not finite. It was infinite. As the wombs numbered and the mitosis of the future began, it was perceived that this infamous moment in life is not temporal, it is eternal. And thus began the beginning of the new race, a race within the race of humanity, a race which bears no prejudice, no judgment, but boundless freedom.”
Is the “mitosis of the future” equivalent to Crowley’s “new eon”? The emphasis on the term “liberty” and “freedom” might be a reference to Crowley’s “Do What Thou Wilt” ethos, a concept calling for the seeking of one’s “True Will” without regard for the boundaries of ethics, moral principles or the concept of good and evil. The embrace of both good and evil is further portrayed in the video.
As Gaga says these words, she is shown giving birth to … something. As this something gets pushed out, butterflies appear.
Butterflies (especially Monarch butterflies) are symbolic of Monarch programming. Mind-control slaves who successfully create an alter-persona are compared to butterflies emerging from their cocoon. This implies that Gaga’s “new race” or “new philosophy” is not something that occurs naturally in society. It is rather something that will be forced on humanity using mind-control techniques.
The creation of this “beautiful” race leads to the birth of an evil entity, which seemingly exists to protect its interests and force its will upon the world.
But on that same day, as the eternal mother hovered in the mulitverse, another more terrifying birth took place: the birth of evil. And as she herself split into two, rotating in agony between two ultimate forces, the pendulum of choice began its dance. It seems easy, you imagine, to gravitate instantly and unwaveringly towards good. But she wondered, how can I protect something so perfect without evil?
As those words are being said, the camera slides upwards towards Gaga, forming a semi-hidden skull head made of human bodies, symbols of sacrifice representing the evil that resulted from birthing the “pure” creation. This concept is illustrated by the symbol of ying and yang and the Masonic checkered floor, where black and white coexist in an infinite pattern.
The evil force is represented by human skulls, which symbolically represent the elite’s death-culture, which celebrates sacrifices in order to generate “new life”. To illustrate the “political and governmental” aspect of this concept Gaga is shown firing a military rifle while church bells ring (announcing death of the masses).
Evil is therefore depicted as a necessary force to balance the existence of good (or what is portrayed as good in the video, as mind control is never “good”).
Thought this song was about gay pride? Apparently not. Oh, and then the song starts.
The song starts with an odd statement:
“It doesn’t matter if you love him, or capital H-I-M”
Who is “Him” and, more importantly who is capital H-I-M? At first glance, “Him” can be interpreted as a masculine lover, in accordance with the “gay pride” aspect of the song. In that case, who or what is “capital H-I-M”? Is it God? In that is she referring to the distance between homosexuality and traditional religions? HIM is also the name of a popular Finnish rock band whose acronym stands for “His Infernal Majesty”. In this context, is Gaga saying “It doesn’t matter if you love him (God), or capital H-I-M (Satan)”? If that is the case, it would certainly fit with the dualistic, good versus evil, message of the video and the Thelemic theme of her manifesto.
Further in the song, another line states:
“A different lover is not a sin
Believe capital H-I-M (hey, hey, hey)”
In this spiritual context, is the “regular lover” God and the “different lover” His Infernal Majesty?
Dualism continues to be visually represented throughout the video with scenes celebrating life and love juxtaposed with scenes of celebrating death.
The rest of the video is a lot less symbol-intensive, as the focus shifts on choreography and female crotch-grabbing. No Gaga video (or any music business pawn’s video for that matter) is complete without the One-Eye Sign.
The video ends with a symbolic image, one to be expected when understanding the dualistic theme portrayed throughout the video.
The last frame of the video is the opposite of the first, as the pink triangle is pointing upwards. This alludes to the appropriation of this Nazi symbol by the gay rights movement and its reversal.
On an esoteric level, the upright triangle is the response to the inverted triangle and signals the end of the alchemical process. It represents the union of the opposites, in order to accomplish the Great Work: the occult transformation of men. When combined, the upright and the inverted triangle become a six-pointed star, a symbol known as the Philospher’s Stone or the Seal of Solomon.
“The interlacing triangles or deltas symbolize the union of the two principles or forces, the active and passive, male and female, pervading the universe … The two triangles, one white and the other black, interlacing, typify the mingling of apparent opposites in nature, darkness and light, error and truth, ignorance and wisdom, evil and good, throughout human life.”
– Albert G. Mackey, Encyclopedia of Freemasonry
If the video started with the unicorn inside the inverted triangle, symbolizing the impending birth of a pure spiritual being, the video ends with the opposite energy, death and corruption. Zombie-gaga, the evil by-product of the change imposed by G.O.A.T. In order for magic to happen, both of these triangles are necessary and they need to be united.
The song by itself has an uplifting message: to love and accept oneself unconditionally, the way God made us. However (there’s always a “however” with Gaga), the video takes things to another level … literally. The “Manifesto of Mother Monster” and its related symbolism give the song a cosmic-battle-between-good-and-evil quality, interlaced with the heralding of a new race and, to use Crowley’s terminology, a new eon.
In the context of the video, Born This Way is actually a tail of REbirth and of transformation. As Gaga’s choreographer stated, it is a race within our race; it’s a mindset. This change of mindset is not portrayed as the result of a natural evolution, but rather as a forced change symbolized by the Monarch programming imagery. All of this is happening in the Government-Owned-Alien-Territory, a clever way of stating that this new race is something that the occult elite wants to see happening. In the video, Gaga (and hundreds of clones) are created in a high-tech, government-owned lab. Are we truly preaching no prejudice, no judgment, but boundless freedom? The Manifesto’s ideals therefore only apply to the new, forcefully created race, which is distinguishable from “normal” people by the horn thingies. Is this a sign of superiority? Are the horns any different than the pink triangle used to distinguish gays during the Nazi regime?
Those who do not adhere to this mind-controlled race will apparently feel the wrath of “evil Gaga” and be killed because, as she says, How can I protect something so perfect without evil? The video contradicts and twists the liberating meaning of the song and turns it into something rather oppressive and disturbing. The “new race” is the masses of the New World Order, under the influence of mass mind control and pushed into a precise kind of spirituality, resembling a dumbed-down version of Crowley’s Thelema. This world metamorphosis is perceived by the occult elite as an alchemical transformation, a Great Work. It is visually represented by the opposing forces illustrated throughout the video. The process is meant to create something “pure and perfect”, a new world that is purged from its non-desired elements (portraying a New World Order as the end result of an alchemical process is often referred to in elitist art – see the article Analysis of the Occult Symbols Found on the Bank of America Murals). From the viewpoint of the masses, who must go through this forced rebirth, the process is ugly, terrifying and pure evil. The video however, – as most offerings of pop culture – portrays the view of the elite.
In order to keep the youth interested and attracted to the elite’s agenda, creators of pop videos cleverly combines fresh visuals with mind-numbing repetition. Each new video attempts to bring an exciting or shocking element to generate some interest but, at the end of the line, the core message remains stubbornly on-par with the Illuminati Agenda. Born This way uses the classic technique of duplicity, which can be defined as “contradictory doubleness of thought, speech, or action; especially, the concealment of one’s true intentions by deceptive words or actions”. The song’s lyrics say one thing, but the powerful symbols within the video go in the opposite direction. This leads to a contradiction our minds attempt to resolve: Is “boundless freedom” equivalent to the coercive new world portrayed by Gaga?
Despite the superficial eccentricity of the song, Born This Way is about conforming and adhering to a pre-defined mindset, a philosophy that is compatible with a New World Order. It is not Gaga’s vision, it is their vision. It is the mind state they want you to adopt in order for them to carry on with their Agenda unopposed. This is what they want you to think: There are no important values or moral codes; good and evil are a big blur and being a mindless zombie is cool. If you think this way, “you’re on the right track baby”. I’m not. Guess I wasn’t born that way.
Source: http://vigilantcitizen.com/musicbusiness/lady-gagas-born-this-way-the-illuminati-manifesto/
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